Bolas, 1895 Burton’s Modern Photography, by W. Jones The British Journal Photographic Almanac, by Henry Greenwood & Co, 1947 The Photographic Studio, by T. Thomson, 1878 Practical comprising of: Photography, by O. Bothamley, A Handbook Of Photography In Colours, by Thomas Bolas, 1900 A History And Handbook Of Photography, by J. Brown, 1922 The Ilford Manual Of Photography, C. The results interest me greatly.A Large Collection of Early Photography Books, Collection of photographic books comprising: The Practical Photographer – Volume 5, by Percy Lund & Co, 1894 The British Journal Photographic Almanac, by Henry Greenwood & CO, 1941 The Practical Photographer – Volume 2, by Percy Lund & Co, 1891 The Year–Book Of Photography, by Thomas Bolas, 1886 The British Journal Photographic Almanac, by George E. That kind of bw paper is quite unknown for me. For example Rully Oktario Edison from Indonesia usually uses Lucky paper for his pinhole. In Asia there are some other bw paper and it would be interesting to test them, too. If anyone else has information to share along these lines, I would like to hear from you. Within a single manufacturer there may be great variation in results based on these and other factors. It would be good to compare factors like the paper tone (warm, cold, neutral), fiber-based vs. There are many factors that may affect the resulting colors of solargraphs.
Gregg wrote: “I realize this isn’t a very scientific test. Orienal Seagull F-2, glossy finish, pure black tone, Ildorf Multigrade IV Delux (MGD, 44M), pearl finish, His cameras were loaded with the papers as I am very interesting to hear from Gregg Kemp´s paper test on the Autumn Equinox. Each camera was loaded with a different type of black and white photographic paper as Kodak Professional Polymax II RC White Smooth Glossy, Kentmere Variable Contrast paper Select Glossy M.Wt, Ilford Multigrade III RC De Lux MGX 1M, Ilford MCIV Multigrade IV RC De Lux, Fomaspeed Variant 311 Multigrade, Fomabrom Variant 111 Multigrade, Argentone BW photographic paper Polybrom RC Variable, Fujifilm Fujibromide Rembrant V G2 BW paper Variable grade. I have set out several cameras to compare the colour results of different papers. In my experimental tests I have notices some differences with black and white photographic papers in the past. How is it possible to see the results in colours?
0 kommentar(er)
